Commentary on DVD releases, both old and new. There is a lot to like about the digital realm and in addition to examining specific titles, we will also discuss the merits of new technology like Blu-Ray and HD-DVD, as well as digital downloading.

Saturday, February 24, 2007

DVD Review: The U.S. Vs. John Lennon

Nearly 20 years ago, the movie documentary Imagine: John Lennon presented a picture of John Lennon's life, from his childhood to his years with The Beatles to his time as a solo artist to his life as a husband and a father. One element in every description of Lennon's life is his outspokenness, which led to political activism when he was in his late 20s and early 30s.

In 1999, Jon Weiner, a professor of history at the University of California - Irvine published Gimme Some Truth: The John Lennon FBI Files. The book chronicled Weiner's attempt since Lennon's death in 1980 to obtain the files that the FBI accumulated on Lennon, mostly when he was a target of the Nixon Administration. The book also reveals that Nixon considered Lennon such a threat to his administration that he was surveilled and an attempt was made at deportation (which arose out of a suggestion from former South Carolina Republican Senator Strom Thurmond).

The new film The U.S. Vs John Lennon chronicles this period in Lennon's life and in American history, but rather than simply being another snapshot of Lennon, this is instead a tale about today and the parallels between the current Bush Administration and its Nixon predecessors. Producers and directors David Leaf and John Scheinfeld have skillfully told the tale of Lennon's activist years with commentary from a variety of knowledgeable sources on the right and the left, and crafted it in such a way that the similarities to the present day are unmistakable. (Indeed, the bonus material for the DVD spends a lot of time explicitly talking about these similarities.) [Leaf, in addition to producing many films about pop culture, is also the author of The Beach Boys and the California Myth, an excellent biography of Lennon's contemporary Brian Wilson.]

The movie tells a compelling story, whether you know of Lennon's fight with the government or not. The paranoia of Nixon and his people has been well-documented over the years, but here - and in Weiner's book - is evidence of all the dirty tricks and underhanded scheming. When Lennon was said to be planning a series of concerts in 1972 to offset the Republican primaries and national convention, Thurmond wrote to Nixon and suggested deportation as a way to prevent political opposition. In the wake of the Vietnam War, the 26th Amendment had been passed, giving the right to vote to all 18-to-21 year-olds, who were thought to be among Lennon's primary audience. Nixon believed Lennon - and by extension, rock and roll music - had real political authority. It's to John Lennon's credit that this was likely very accurate. (As this article about the film in The Nation points out, this idea of activist rock musicians doing an election-related tour sat idle for over 30 years, until the Vote For Change Tour in 2004 by Bruce Springsteen & The E Street Band, R.E.M., The Dixie Chicks, and others who opposed the re-election of George W. Bush.)

Unlike the 1988 movie Imagine (an excellent film in its own right), this film doesn't focus on Lennon's contemporaries in rock music or popular culture to comment on his life. Instead, we hear from Weiner, Walter Cronkite, Carl Bernstein, G. Gordon Liddy, John Dean, Geraldo Rivera, Mario Cuomo, Ron Kovic, George McGovern, Angela Davis, Bobby Seale, Gore Vidal, and Tariq Ali, among others. All of these folks had some contact with Lennon personally in the years addressed in the film, even the likes of Dean and Liddy, who were on the other side - in the Nixon administration - and were following the story of Lennon at the highest levels of government.

Of course, Yoko Ono is also present in the film as a link to John himself. Perhaps no other figure in popular culture has been as unfairly maligned as Ono, who, in the most emotional segment on the DVD (in bonus footage), reads her letter to the parole board concerning Lennon's killer. Any fan of Lennon or The Beatles will be moved.

The extras on the DVD are limited to additional interviews and footage of Lennon, as well as a print interview by Tariq Ali, done in 1971. (Other bonus footage would seem superfluous, anyway, so there is no "making of-" documentary of the documentary and no commentary on the commentaries in the film.) The extra footage is about an hour long, and it is excellent. The majority of it is must-see stuff, particularly the segments titled "Dissent Vs. Disloyalty" and "Then and Now," which make an explicit case that the excesses of power in the Nixon years have been exceeded by the likes of George Bush and Dick Cheney. Only Liddy and Rivera - both right-wing spokesmen who presently earn their living from conservative propaganda outfits - deny the excesses of the present day. Even Dean, Nixon's White House counsel, concedes; although, to be fair, Dean has written recently of his belief that modern conservatives have been co-opted by authoritarian people and ideas.

It's really a shame that these two segments in the bonus material weren't included in the film. Perhaps the filmmakers didn't want to make their point about modern-day parallels so explicitly. (Ironically, Lennon was not someone to hide behind subtleties; the subject of the whole film is him saying what he believed.) The film - taken as a whole on DVD - is much more poignant when one considers the injustices of Iraq, the Patriot Act, the failure of government to respond to Hurricane Katrina, the erosion of civil liberties and the other excesses of power of the Bush administration, with the realization that John Lennon's could have been a strong voice against them. The movie celebrates his spirit and his influence, which is still speaking out, and still in defiance of authority.


Friday, February 16, 2007

The Best Films of 2006

Being a week away from Oscar night, it's a good time to reflect on the best that movies had to offer in 2006. All critics' lists are subjective, as are the Oscars, and inclusion or lack thereof on such a list isn't really indicative of a film's merit. That's in the eye of the beholder. So, without taking it too seriously, here's the best in film for 2006 -- all of which are either on DVD or soon will be.

1. Casino Royale: The best James Bond movie in more than 40 years. Not to dismiss the last forty years of Bond -- there are some great ones in there, including Roger Moore's The Spy Who Loved Me, Timothy Dalton's The Living Daylights, George Lazenby's On Her Majesty's Secret Service, and Pierce Brosnan's Tomorrow Never Dies. But the series was at its peak with the first four Sean Connery movies, and Casino Royale harkens back to those glorious days. Daniel Craig proved his critics wrong as effortlessly as Bond would land his hat on Moneypenny's coat rack. The film's tone is closest to From Russia With Love, the best of the bunch, and is a serious spy drama that is not without it's levity and humor. For resurrecting greatness and for making these types of films relevant to modern audiences -- and for being a hell of a lot of fun in the process -- Casino Royale is the best picture of the year. (On DVD March 13.)

2. The Queen: An engrossing look at the life of Queen Elizabeth II following the death of Princess Diana. The film's strength is in taking an event that we all know very well - Diana's surprising death at age 36 - and showing us the turmoil behind the scenes with the British royal family. Helen Mirren gives the year's best performance, and if she doesn't win the Oscar for best actress, they should just disband the Academy, because it will have become irrelevant. (On DVD April 24.)

3. The Departed: Much has been written about Martin Scorcese and gangster movies, but the way violence can suddenly erupt, seemingly out of nowhere, is never more shocking than in his movies. The great cast has outstanding performances from Leonardo DiCaprio, Matt Damon, Mark Walberg, Martin Sheen and more. Only Jack Nicholson's performance varies from being emotionally intense to being a parody of himself. Nicholson has been playing a variation on himself in too many movies for the last twenty years. (Obviously not including such stand-out performances as About Schmidt.) It is Scorcese's best film since GoodFellas, and is even better than Gangs of New York, which is saying something. (On DVD now.)

4. V For Vendetta: Based on a graphic novel written in the '80s, but never more relevant to our culture, this is as exciting and thought-provoking as movies get these days. Hugo Weaving is charming as "V," a revolutionary to some and a terrorist to others. Natalie Portman displays a maturity beyond her role as Star Wars' Padme, as the innocent whose education and transformation are the center of the film. "People shouldn't be afraid of their governments," the film's tagline read, "Governments should be afraid of their people." It's not many advertising campaigns that paraphrase Thomas Jefferson, and it demonstrates how the movie's head is in the right place. (On DVD now.)

5. An Inconvenient Truth: The most important film of the year. It's easy to dismiss the attention the film has gotten under the guise of politics, since it stars former Vice President Al Gore, but it's essential that we not do that. The film has an urgent message that has been endorsed by every serious scientist in the world (the only studies that deny global warming's impact have been funded by industry, and thus, are not true studies; we touch on this more here), and besides, the film is more frightening than any horror movie and will inspire you to action more than any other film, perhaps ever. (On DVD now.)

6. Superman Returns: In the nearly 30 years since Richard Donner's excellent Superman: The Movie, film hasn't been kind to the Man of Steel. The movie series became parody with installments III and IV and this film languished in production hell for about 15 years, going through more writers and directors than Lois Lane's typewriter ribbons. But Bryan Singer truly made Superman return, to the greatness that is the character's legacy and to the high standards of Donner's film. This is mythology as metaphor and with meaning. As said in our review of the box set, this, finally, is a film worthy of the Superman legend. (On DVD now.)

7. Children of Men: The future may not look very good in this film, but the movie is as great a production as such other futuristic epics as Blade Runner, Planet of the Apes and this year's V For Vendetta (see above). Great work by Clive Owen and Michael Caine will keep you invested in the story, which is ultimately about the fight for hope in a world that hasn't had any in a generation. (On DVD March 27.)

8. Cars: If John Lasseter and the folks at Pixar can make a bad movie, they haven't shown it yet. Cars is their follow-up to The Incredibles, perhaps the best of the Pixar line. The movie invests in old-fashioned style and some would even say old-fashioned values, set in the high speed modern world of auto racing. The character designs are clever, colorful and, in many cases, hilarious. These cars will be taking their place along other children's favorites, such as Buzz and Woody, Simba, and maybe even Donald and Mickey. (On DVD now.)

9. Borat: Some comedies just make you laugh (like Talladega Nights, one of the year's funniest films) and others, like Borat, force you to think a bit too. Sasha Baron Cohen's hilarious trip through America exposes some of its ugly side, and has a ball poking fun at it. The film may end up keeping people on their toes too -- everyone won't necessarily be so quick to yell and scream the next time someone lets a chicken out of their suitcase on the subway, will they? (On DVD March 6.)

10. Hollywoodland: Essentially the same movie as Brian DePalma's The Black Dahlia, as both films take place in post-war Los Angeles and concern a real-life murder (or suicide?) mystery. Only director Allen Coulter (of The Sopranos fame) presents a much more involving story of the death of actor George Reeves than Dahlia's forced and fake noir. Hollywoodland also has the stronger cast, with Adrian Brody, Diane Lane, and (yes) Ben Affleck turning in great performances. As mysteries go, it's also one of the best in years, and doesn't offer a tidy ending, which are mostly unsatisfying anyway. The mystery behind Hollywoodland leaves you with the possibilities, and you have to decide for yourself which you find plausible. (On DVD now.)

Thursday, February 1, 2007

High Definition War: Do we have a winner?

The stakes are always high in format wars. Sony not only had egg on its face after the Betamax-VHS war of 20 years ago, but had to start making VHS players by the millions. Consumers hate format wars, and lots of DVD enthusiasts have been sitting out the current battle between HD-DVD and Blu-Ray.

But the end could be in sight, according to Home Media magazine. In an interview with a research firm, the magazine quotes conclusions by the firm Understanding and Solutions as saying they expect a winner in the format war by the end of the year, and all signs point to Blu-Ray.

Many DVD analysts have expected Blu-Ray to triumph from the beginning. Debate has gone back and forth over the formats' inherent benefits, but the ace up Blu-Ray's sleeve has always been Sony's Playstation 3 system, which functions as a Blu-Ray player. Most of the movie studios issuing the DVDs that will be playing on both of these formats seemed to side with Blu-Ray as well, since every major studio except Universal adopted the format. Some produce titles in both formats, and Warner will start issuing hybrid discs with both formats this year, in an effort to entice buyers who are afraid of having the next Betamax titles in their video cabinets. (We don't recommend Warner's take on the format battle, because it is sure to produce double-sided discs, of which we are not fans. See our earlier piece about the failed DualDisc format.)

There is surely a lot at stake in the outcome of the high-def format war, but curiously, picture quality doesn't seem to be. Both formats have gotten high marks from reviewers and critics for their oustanding picture quality. What's at stake for consumers in this contest is the investment in hardware and high-def titles.

The analysis in the article seems sound, and we hope the format war comes to an end quickly. There's more technological innovation waiting around the bend, just as soon as companies stop fighting over whether their titles will be issued in red or blue packages.

Read the entire Home Media article here.